Queen Margaret College - Paulette Pavelich

Two transparencies are made from the this stunning original art work and sellotaped together to create a high definition positive for making a solarplate and quality intaglio printing.

Queen Margaret College - Paulette Pavelich

Washing solarplate with shoe brushes.

Queen Margaret College - Paulette Pavelich

Exposed and washed solarplate.

Queen Margaret College - Paulette Pavelich

Lots of cool texture in this image.

Queen Margaret College - Paulette Pavelich

Half and half.

Queen Margaret College - Paulette Pavelich

Mysterious blue self portrait.

Queen Margaret College - Paulette Pavelich

Different colours can make a difference. Both great!

Queen Margaret College - Paulette Pavelich

My 2 colour print.

Queen Margaret College - Paulette Pavelich

This solarplate from Dan Welden has been over washed but gave me an opportunity to try a technique of laying ink into the etched area and cleaning top, then rolling up a second colour on the surface.

Gary Whiting - inkjet print

'Pukeho 5" Inkjet print by Gary Whiting.

Daniel's Dragon

Daniel's transparency was built up with 4 transparencies taped over each other to increase the density. The inked up solarplate with Akua carbon black and the print on 190 gsm incisioni.

Gothic print and drawing on glass.

This drawing on the grained glass was produced by David Brebner using Stabilo 8046 pencil and Magic Colour.
The exposure for the solarplate for this print was, grained glass plate 45 seconds UV, aquatint screen 75 seconds UV, then hardened with 15 minutes UV.